Thunderbolts: A Strong Entry in the MCU, Yet Limited in Its “Anti” Spirit
Tell me if you’ve heard this one before: a band of charming antiheroes with a mix of superhuman abilities join forces under the shadow of a secretive government agency. No, it’s not The Suicide Squad. Picture this eclectic group navigating the chaos of New York City while taking on a mighty sky-bound entity. Surprised? Well, you shouldn’t be. Welcome to Thunderbolts, the latest chapter in the Marvel Cinematic Universe (MCU), which has now reached an impressive 36 films.
Familiar Territory with a Fresh Spin
Directed by Jake Schreier and penned by Eric Pearson and Joanna Calo, Thunderbolts serves as a stand-alone tale spotlighting Yelena Belova, the feisty younger sister of Black Widow, brought to life with punchy charisma by Florence Pugh. Her portrayal of Yelena was a highlight of Black Widow, and her return heralds the appearance of David Harbour as Alexei, also known as Red Guardian, Yelena’s father figure—a washed-up Soviet version of Captain America.
The Stakes Are Personal
Passing familiarity with Black Widow and the evolving narratives surrounding Captain America’s legacy (Brave New World, The Falcon and the Winter Soldier) enriches the viewing experience, as Thunderbolts deftly weaves together characters and lore from the vast MCU tapestry. At its core, however, the film grapples with Yelena’s existential crisis, as she seeks purpose amid her violent past. While she plays the role of a scrappy mercenary, it’s clear her heart isn’t fully in it.
A Showcase of Dialogue and Dynamic Characters
Pugh shines not just in her solo moments but also in her interactions with an eclectic cast. The first hour of Thunderbolts is a delightful display of the MCU’s signature strengths: witty banter, character rivalries, and the humor that emerges even in the darker corners of the superhero world, whether in Capitol Hill meetings or criminal rendezvous.
Sleek Direction with Grounded Action
Schreier’s direction embraces a sleek yet grounded aesthetic, focusing on practical effects and stunning stunts. The dialogue strikes a balance, delivering humor that enhances rather than overwhelms the emotional undertones of Yelena’s journey. Her assignment—“one last job” from CIA Director Valentina Allegra de Fontaine (played by the ever-charismatic Julia Louis-Dreyfus)—spirals into a convoluted mess, introducing her to the rest of the soon-to-be Thunderbolts team.
High-Octane Sequences with a Dash of Mystery
Engaging scenes abound, with an undercurrent of mystery fueled by a surprising new character played by Lewis Pullman. The dynamic provides comic relief through Harbour, and action sequences—like a heart-pounding motorcycle chase featuring reformed baddie Bucky Barnes (portrayed by Sebastian Stan)—are brilliantly executed, echoing classic 80s action films. The pacing is tight, and the visuals captivating, but can this momentum be maintained throughout?
The Pitfall of a Classic Third-Act Conundrum
Sadly, Thunderbolts succumbs to a common pitfall in MCU storytelling: the overpowered villain. When stakes are raised to such extremes, the resolution feels like a leap into a metaphysical domain that often comes off as more after-school special than realistic problem-solving. The film explores powerful themes of self-worth and the importance of community support for characters unjustly labeled as “losers” and “evidence” of de Fontaine’s overreach. Yet, do MCU films always need to delve into trauma?
A Tone Tug-of-War
Unlike the irreverent tone maintained by DC’s Suicide Squad, which thrives on its snide attitude, the MCU’s earnestness sometimes muddles the tonal coherence of Thunderbolts. These antiheroes are never truly “anti,” and that dilutes the fun aspect of the story. While Pugh’s infectious charm and steely resolve hold everything together, one can’t help but wonder if this is the new trajectory for the MCU.
Final Thoughts: A Strong, Yet Safe Entry
In conclusion, Thunderbolts is a commendable entry into the MCU, rich with entertaining moments and an engaging narrative. However, it falters in fully embracing its antihero spirit. With Florence Pugh leading the charge, the film may not push boundaries, but perhaps it will pave the way for more complex storytelling in the superhero realm. Whether you’re a die-hard MCU fan or simply looking for an entertaining watch, Thunderbolts has something for everyone, even if it could have taken more risks.
For more insights into the Marvel Cinematic Universe, check out Collider’s comprehensive guide on MCU films or Screen Rant’s latest updates.
