G20 Review: Viola Davis Shines in Average Action Thriller

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G20 Movie Review: Viola Davis Shines as a Fearless President in an Average Action Thriller

When it comes to geopolitical action thrillers, G20 could easily be seen as a curious reflection of contemporary society. Released just three months after Donald Trump’s inauguration, this film carries with it a weight of commentary and expectations that it can’t fully embrace. While its production wrapped back in March of last year, those involved probably hoped to ride the wave of excitement surrounding a narrative featuring a Black female president stepping into her power. Unfortunately, that resonance is now eclipsed by the current state of affairs in America, where leadership has taken a decidedly darker turn.

Plot Overview: A High-Stakes Summit Unravels

Set against the backdrop of a G20 summit in South Africa, G20 follows President Danielle Sutton, played with fierce determination by the incomparable Viola Davis. As the conference aims to enhance digital banking access in impoverished regions of Africa, chaos erupts when terrorists, led by the menacing Antony Starr (known for his role in The Boys), hijack the event. Their agenda? To use deepfake technology to fuel fear and distrust, ultimately steering global finances towards a crypto dominion.

In this tumultuous landscape, Sutton must shed her formal persona—donned in heels—and embrace her military training, gun in hand, ready to combat both the terrorists and the pervasive skepticism they sow. The stakes are sky-high, with Sutton aiming not only to save her family but also to protect the world economy from falling into the hands of the villainous tech brokers.

Viola Davis: A Stellar Performance

Viola Davis is undoubtedly the film’s trump card. Her portrayal of President Sutton is a masterclass in leadership and resilience. With her experience in dramatic roles and her formidable presence, Davis brings both regality and physicality to the screen, reminding us that she is as adept at action as she is at delivering poignant monologues. Reflecting on her transition to an action role, Davis has expressed joy in this newfound freedom, highlighting the cathartic experience this character provides.

However, while Davis’s performance is commendable, the film’s script leaves much to be desired. Crafted by a team of four writers—including the White Boy Rick duo of Logan and Noah Miller—the dialogue often falls flat, failing to elevate the film beyond its basic premise.

Action and Pacing: A Mixed Bag

In terms of action, G20 follows a familiar blueprint reminiscent of classic 80s and 90s action films, including the notorious Air Force One. While there are moments of excitement, the lack of creative choreography means that the thrills often feel generic and forgettable. Patricia Riggen, the director behind Jack Ryan, brings a steady hand, yet even she can’t mask some pacing issues, especially in developing important relationships, such as the one between Sutton and her rebellious daughter.

The film tantalizes viewers with glimpses of intense verbal confrontation between Sutton and Starr, yet much of the narrative feels rushed, underpinning the need for deeper character development and better dialogues that could resonate with audiences.

The Final Verdict: A Sunday Afternoon Watch

Ultimately, G20 offers some entertainment value—an ideal pick for an easy Sunday afternoon viewing. It presents a hyper-competent president working tirelessly to save her nation, but the film doesn’t quite capitalize on its potential. Instead of the deeper themes present in today’s political climate, audiences are left with a glossy action flick that occasionally shines, largely thanks to Davis’s star power.

So, if you’re in the mood for an action-packed escape reminiscent of old-school thrillers, G20 is worth a watch. Just don’t expect it to be the politically charged commentary our times desperately crave.

For more insights into films that challenge sociopolitical narratives, check out our review of Sinners – Ryan Coogler’s Deep-South Gonzo Horror.

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