Materialists Movie Review: Navigating Love, Money, and Realities
Celine Song’s latest feature, Materialists, is a thought-provoking film that delves into the complexities of modern relationships. Following her acclaimed debut Past Lives (2023), which explored the ever-evolving bond between two people from childhood to adulthood, Song’s new offering asks a compelling question: Is love enough in a materialistic world?
A Visual Feast Amidst Chaos
Clocking in at two hours, Materialists is visually stunning – a charming escape from today’s turbulent reality. However, don’t be deceived; beneath its rom-com sheen, Song presents a narrative laced with skepticism about the very dreams it portrays. While it flirts with a heartwarming conclusion, the film ultimately challenges the romantic ideals it teases.
Plot Overview: Love on a Tightrope
The story centers on Lucy (played by the captivating Dakota Johnson), a high-profile matchmaker at an elite New York agency called Adore. As she juggles her profound desire for both love and wealth, Lucy finds herself torn between two strikingly different suitors:
Harry (portrayed by Pedro Pascal), a charismatic unicorn of a man, boasts a private equity career and a luxurious Tribeca penthouse, whisking Lucy away on extravagant escapades.
- John (played by Chris Evans), her artistic ex, represents the struggling artist archetype, perpetually short on cash and vitality.
While these two contrasting characters seem like simplistic archetypes, Song uses them to push Lucy deeper into the murky waters of relationship dynamics, revealing the gray areas of life that resist easy categorization.
Unpacking Depth Through Humor and Judgment
In a clever twist, Materialists employs the romantic comedy format to explore uncomfortable truths simmering beneath the surface. Through Lucy’s diverse array of clients, the film examines systemic biases—entitlement, ageism, and unrealistic soulmate expectations—while exposing the often exasperating process of dating.
The stark reality is this: relationships cannot be confined to checklists or societal norms. Lucy’s journey illustrates the perils of seeking love through superficial metrics, prompting viewers to reflect on their own desires and the masks they wear.
The Weddings: Juxtaposition and Irony
Surprisingly, Materialists features not one but two stunning weddings. The first, a lavish affair in midtown, contrasts sharply with the intimate ceremony in a picturesque upstate barn. Throughout these celebrations, Lucy’s cynical commentary on marriage’s futility resonates, alluding to the paradox of clinging to the hope of a fairytale ending.
One poignant moment occurs as a bride rips off her white gown in a fit of despair, lamenting the identity she relinquished for her wedding. Yet moments later, she joins her partner in joyful celebration, showcasing the tantalizing duality of love and societal expectation.
A Star Performance and Lyrical Composition
Dakota Johnson shines as Lucy, encapsulating a woman longing for both comfort and genuine connection. The film’s dialogue sparkles with wit and insight, a hallmark of Song’s autobiographical influences—drawing from her own experience as a matchmaker.
Complementing the narrative, Daniel Pemberton’s music enriches the film’s emotional landscape, while Shabier Kirchner’s cinematography provides a Paterson-like lyrical quality that immerses viewers in Lucy’s world.
Conclusion: More Than Meets the Eye
In Materialists, Celine Song crafts a narrative that transcends the confines of typical romantic fare. This film is not just about men; it’s about a woman’s journey to discover herself amid love and societal expectation. By blurring the lines of conventional storytelling, Song encourages us to embrace the messy, nuanced territories of life and love.
As you journey with Lucy through her ups and downs, Materialists leaves you with a vital lesson: True connection often lies beyond superficial markers. This film is a must-see for anyone navigating the intricate dance of modern relationships.
Dive into the complexities of love, life, and all that lies between—just remember, it’s about the messy shades of gray.
