Inept indie thriller brings sweet relief at its end.

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"Sweet Relief" — An Inept Indie Thriller That Leaves You Sighing with Relief Once It’s Over

Introduction to Indie Thrills

Indie films are often a mixed bag, where creativity clashes with budget constraints. Yet, it’s sometimes difficult to differentiate between cast and crew, especially on low-budget sets. This notion was starkly highlighted during my viewing of “Sweet Relief,” a film that struggles to engage and ultimately leaves viewers feeling like they’ve survived a bad horror game.

The Premise: A Broken Pact

Set in the seemingly forgotten town of Amherst, Massachusetts, “Sweet Relief” dives into a peculiar social media challenge. Teenagers play a game where they innocently (yet chillingly) select people they wish were dead, only to face dire consequences if they fail to follow through. What could go wrong, right?

Characters: The Unsung Heroes

The central players—Hannah, Lily, and Corey (portrayed by Lucie Rosenfeld, Jocelyn Lopez, and Catie Dupont)—make a pact involving the likes of a bothersome babysitter and an ex-boyfriend. But the film quickly devolves into a chaotic narrative that sees these characters being overshadowed by an even more bewildering cast, including:

  • Adam Michael Kozak as Hannah’s frustrated brother
  • Alisa Leigh as his live-in nurse girlfriend
  • B.R. Yeager as an ineffectual cop

As the narrative unfolds, it becomes clear that the film’s direction suffers from poor casting choices and lackluster performance.

A Messy Execution

While there are a few decent moments in the third act, they arrive far too late to salvage the film from its uninspiring first two-thirds. The pacing and dialogue oscillate between clumsy and almost unbearable, making any form of investment in the characters an uphill battle.

Key issues include:

  • Underwhelming Plot: The storyline is jumbled and loses focus, much like its characters.
  • Mismatched Tone: The score often feels more like awkward Muzak than a fitting backdrop for a horror thriller.

The Visuals and Performances

As for the visuals, it’s evident that the filmmakers may have been more focused on camaraderie than crafting a cohesive film. The costumes resemble a collection of friends’ wardrobe blunders, raising the question of whether the cast was also part of the crew. A standout moment, if you can call it that, might be seeing Kozak donning a hat from the horror anthology “VHS”, likely aiming for a nod to cinephiles that misses the mark entirely.

The Final Act: A Lackluster Ending

Despite a couple of engaging sequences in the latter half, the film fails to keep viewers invested. The chaotic interactions often overshadow meaningful developments, leading to a conclusion that leaves you wondering what it all was for.

Conclusion: Was It Worth the Watch?

In the end, watching “Sweet Relief” becomes a test of endurance rather than entertainment. Its two-star rating reflects its attempt at horror but ultimately succumbs to the pitfalls of independent filmmaking.

Technical Details

  • Rating: Unrated (contains graphic violence, profanity, alcohol abuse, drug content)
  • Cast: Alisa Leigh, B.R. Yeager, Jocelyn Lopez, Lucie Rosenfeld, Adam Michael Kozak, Catie Dupont, Gianni Passiglia, Jane Karakula, Paul Lazar
  • Director/Writer: Nick Verdi
  • Running Time: 1 hour 26 minutes

If you’re looking for something new to watch, consider passing on this one and waiting for a more polished indie experience. You’ll likely feel a sweet relief when it ends.


For enthusiasts of independent cinema, dive into a realm of better productions at platforms like Film Independent or check out other reviews on Rotten Tomatoes to find your next viewing adventure.

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