Words of War Review: Maxine Peake Shines as Brave Journalist Anna Politkovskaya
A Dramatic Portrayal of Courage
In a gripping exploration of journalistic integrity, Words of War is a British-American co-production that delves into the life of Anna Politkovskaya, a fearless Russian journalist known for her biting critiques of the Kremlin and its handling of the Second Chechen War. Portrayed with intensity by Maxine Peake, Politkovskaya’s story unfolds against a backdrop of brutality, repression, and the heavy price of speaking truth to power.
The Legacy of Anna Politkovskaya
Anna Politkovskaya was not merely a journalist; she became a symbol of resistance against authoritarianism. Murdered in 2006 on Vladimir Putin’s birthday, her assassination was a tragic reminder of the dangers faced by those who dare to critique the powerful. Nineteen years later, her legacy resonates globally, particularly in an era when threats to journalists have surged.
Read more about her impactful work here.
A Mixed Reception: A Critique of the Film’s Execution
Despite its noble subject matter, Words of War has received a lukewarm response for its somewhat simplistic storytelling. Critics note that it leans heavily into hagiographic sentimentality, often falling into clichés typical of “crusading journalist” narratives. This simplistic portrayal runs the risk of diluting Politkovskaya’s profound significance.
Interestingly, the film has not garnered the approval of Politkovskaya’s family, who are critical of the thin characterizations presented, notably her son Ilya, played by Harry Lawtey. His portrayal as a petulant figure raises questions about the depth of family dynamics at such a tragic intersection of love and loss.
Captivating Interactions with Peripheral Characters
While Peake’s portrayal provides a steady anchor, it’s the supporting characters who often steal the spotlight. Moments of tension and depth arise in her interactions, particularly with Jason Isaacs, who plays her husband Sasha—a man torn between pride and jealousy for his wife’s soaring success. Additionally, Ian Hart delivers a chilling performance as a sinister FSB officer, adding layers to the narrative that challenge the black-and-white portrayal of good versus evil.
Cinematic Undercurrents: Sound and Visuals
The film’s production design embraces a somewhat televisual atmosphere, with flat lighting and a score of gently swelling strings that, while evocative, ultimately serve to lessen the emotional impact of pivotal scenes. The climactic depiction of the Dubrovka theatre siege lacks the dynamic filmmaking expected from such a cataclysmic moment, leaving viewers wishing for a more visceral experience.
Politkovskaya’s historical significance was underscored by her role as a negotiator during the siege and her near-fatal poisoning attempt on a flight to Beslan. As viewers, we are left anxiously anticipating the tragic conclusion of her extraordinary life.
A Tribute to Fallen Journalists
In a poignant touch, the film concludes with overlaid portraits not only of Anna Politkovskaya but also honoring the 1,500 journalists who have tragically lost their lives in their pursuit of truth. This final tribute leaves viewers with a haunting reminder of the ongoing fight for press freedom globally.
Final Thoughts and Availability
With a complex subject and nuanced characters, Words of War is a film that both educates and inspires reflection on the current state of journalism and freedom of expression. While it may falter in execution, its heart and intent shine through.
Words of War will be available on digital platforms starting June 30. Don’t miss this vital exploration of courage in the face of oppression.
For more on the film and its themes, check out this article featuring insights from the cast and crew.
