BFI Flare 2025: Outerlands | Review
Exploring Isolation and Trauma in *Outerlands*
Elana Oxman’s debut feature, *Outerlands*, is a **poignant exploration of isolation and trauma** set against the backdrop of a gentrified San Francisco. The narrative follows **Cass (Asia Kate Dillon)**, a babysitter struggling to make ends meet while working as a server, as they navigate their chaotic life and personal demons. A one-night stand with fellow server Kalli (Louise Krause) leads to a precarious situation when Cass is tasked with caring for Kalli’s 11-year-old daughter, Ari (Ridley Asha Bateman), during Kalli’s abrupt absence. Cass’s **growing concern** for Ari’s well-being unearths painful memories from their own tumultuous childhood.
The Subtle Strength of Oxman’s Writing
The true brilliance of *Outerlands* lies in its **masterful subtlety**. Oxman’s writing eschews blatant exposition, leaving much to be interpreted through **nuanced interactions and quiet moments.** Dillon is particularly effective in conveying Cass’s internal struggle. Their **silent reactions** resonate powerfully, speaking volumes where words might fail. Bateman delivers a strong performance, though the **chemistry** between Cass and Ari could benefit from further development to elevate the emotional stakes at key moments.
Social Withdrawal and the Search for Connection
At the beginning of the film, Cass is already enveloped in a cocoon of social withdrawal. They often decline invitations for after-work drinks, opting instead for solitary evenings fueled by alcohol. The consistent presence of a drink in hand symbolizes a growing reliance on escapism as haunting childhood memories begin to resurface. Furthermore, Cass’s fixation on an old NES game—with an astronaut navigating **the quest to return to their mothership**—acts as a **metaphor for Cass’s own quest for self-discovery** amidst their mental health struggles.
Thoughtfully Navigating Sensitive Themes
Through *Outerlands*, Oxman adeptly addresses delicate issues surrounding **mental health and loneliness.** While Dillon’s performance effectively captures the film’s core themes, the lack of depth in certain plot points leaves some moments feeling underexplored. As a result, the conclusion may come across as **somewhat rushed**, missing an opportunity for deeper emotional resonance.
In conclusion, *Outerlands* is a thoughtful cinematic piece that delicately navigates its subjects. With a compelling lead performance and a whispering undertone of urgency, it beckons viewers to engage with themes of isolation and the search for connection, making it a significant addition to the festival. However, a little more development on pivotal aspects could further enhance its impact.
Andrew Murray
*Outerlands* does not yet have a release date.
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