‘Gazer’ Review: Peering Out From a Lonely Place
Prepare to be captivated by “Gazer,” a film that explores the depths of isolation and the complex tapestry of human connection through its enigmatic protagonist, Frankie. Played with haunting allure by Ariella Mastroianni, Frankie is a mystery woman whose large, expressive eyes tell stories that words often fail to capture. In collaboration with director Ryan J. Sloan, Mastroianni not only shines as an actress but also co-wrote the screenplay, enhancing the movie’s depth and emotional resonance.
A Haunting Atmosphere: The Setting of ‘Gazer’
Set against the backdrop of a sparse apartment in modern-day Newark, Frankie feels like she’s stepped out of one of Paul Schrader’s existential dramas. Much like the isolated characters found in Schrader’s acclaimed films such as “First Reformed” and “The Card Counter,” she grapples with communication, portraying a woman adrift in her own world. Instead of solely relying on dialogue, the film leans heavily on voice-over narration and cassette recordings, reminiscent of Christopher Nolan’s “Memento,” which serve as her mental lifebuoys as Frankie navigates the turbulent waters of her existence.
Frankie’s Struggles: Time and Isolation
Frankie’s challenges are multifaceted, with one of the most significant being dyschronometria, a condition that distorts her perception of time. This affliction creates a profound sense of isolation; early in the film, a doctor suggests she may need institutional care for her cognitive impairment. Yet, Frankie’s determination shines through as she resists the suggestion, driven by the need to provide for her young daughter, who lives separately. This motivation propels the narrative into dark, noir-like territories where danger and intrigue await.
Twists of Fate: A Desperate Gamble
As the story unravels, tensions heighten when Frankie encounters Claire, portrayed by Renee Gagner. Claire’s offer of financial assistance is laced with ulterior motives that pull Frankie into a morally ambiguous situation. She is asked to steal car keys from Claire’s alleged abusive brother, an endeavor promising danger at every twist. It’s here that the story finds its critical tension: as Frankie embarks on this perilous mission, the question arises—can she really trust Claire?
The Cinematic Journey: Light and Dark
Sloan’s film oscillates between moments of clarity and profound confusion, which keeps viewers on edge. The duo successfully constructs an atmosphere thick with dread and anticipation through careful pacing and visual storytelling. Early scenes, featuring Frankie’s cautious exploration of her surroundings to an unsettling electronic score, evoke a gripping sense of unease, culminating in a suspenseful encounter that will leave audiences breathless.
However, while “Gazer” embraces its cinematic influences — including references to established genre conventions and nods to the works of directors like David Cronenberg — it sometimes stumbles under the weight of its aspirations. As the plot thickens and twists intertwine, there are moments when the narrative risks straying too far into the realm of abstraction, potentially losing the viewer in its conceptual convolutions.
The Presence of Ariella Mastroianni
Despite its limitations, the film’s anchor is undoubtedly Mastroianni’s performance. Her presence lights up the screen, effortlessly balancing vulnerability with raw intensity. Her portrayal of Frankie is magnetic enough to hold the audience’s gaze even when the plot becomes murky. The film’s exploration of loneliness and the struggle for connection resonates, especially through her deft, often silent expressions.
Conclusion: An Intriguing Experience
In summary, “Gazer” presents a compelling, albeit flawed, exploration of isolation and trust, wrapped in a noirish package that both entices and perplexes. It takes risks, attempts to carve out a unique narrative path, and ultimately leaves viewers contemplating the intricate layers of Frankie’s psyche.
Gazer
Rated R for bloody violence and peril.
Running time: 1 hour 54 minutes.
Now showing in theaters.
For a deeper dive into the themes of isolation and the human psyche in film, check out our articles on Paul Schrader’s work here, and explore more about Christopher Nolan’s storytelling techniques.
