Kelly Reichardt’s The Mastermind: A Unique Anti-Heist Movie
With a remarkable talent for genre deconstruction, Kelly Reichardt consistently captivates audiences by flipping traditional narratives on their heads. In her latest work, The Mastermind, she presents a refreshingly quirky anti-heist film that contrasts sharply with the glamorous high-octane robberies often portrayed in cinema. Instead of explosive action, we witness an extraordinary caper slowly unraveling under the weight of ordinary life’s challenges.
A Glimpse into 1970s Suburban Massachusetts
Setting the Scene
Set against the backdrop of 1970 suburban Massachusetts, the Mooney family embarks on what seems to be a typical outing to the Framingham Art Museum. JB, the father played by Josh O’Connor, appears increasingly absorbed in the abstract art, but his focus is not as innocent as it seems. Rob Mazurek’s jazz-infused score lends a vibrant energy, evoking the spirit of 1970s independent films, as if a mischievous Elliott Gould is observing from the sidelines.
Terri, portrayed by Alana Haim, and their sons, Tommy and Carl, provide the familial warmth that will soon be tested. Carl’s riddle about three aliens—a cunning nod to the twisted nature of truth and deception—echoes the film’s central themes as the family humorously wears lapel pins to signify their characteristics.
The Heist Takes Shape
Planning the Caper
While his family enjoys the museum’s wonders, JB stealthily surveys the place, revealing his true intentions. Setting the stage for a heist, he convenes with his friends Guy (Eli Gelb) and Larry (Cole Doman) in the basement to outline a threadbare plan. The heist—a convoluted smash-and-grab—morphs into a comedy of errors, leveraging Reichardt’s distinctive style that favorably juxtaposes chaos with a sense of realism.
A Comedic Twist on Heist Tropes
In a compelling twist on the classic heist film, Reichardt opts for the mundane over the thrilling. Instead of a polished execution, viewers are treated to the absurdity of a single man struggling to lift four framed paintings up a rickety barn ladder, observed only by an uninterested pig. This moment encapsulates Reichardt’s unique blend of humor and poignancy, reminding us that any caper can descend into farce.
Consequences of Greed
The Downfall of JB Mooney
After his unsuccessful escapades, JB returns home to a harsh reality; police occupy his living room, and his past choices catch up with him. Each character’s betrayal unveils the fragile relationships woven into the narrative. O’Connor’s performance shines as he navigates JB’s transition from a well-meaning father to a desperate man entangled in wrongdoing—demonstrating that perceived niceness can often mask darker truths.
A Strong Ensemble
Supporting Cast Excellence
The rich tapestry of supporting characters adds depth to the narrative. The prim nature of Hope Davis and the boisterous presence of Bill Camp as JB’s parents create an ample backdrop for JB’s chaotic journey. Even minor characters, like Jerry (Matthew Mahler), receive thoughtful development, showcasing Reichardt’s commitment to nuanced storytelling.
Subtext of a Turbulent Era
Cultural Context
Reichardt doesn’t shy away from incorporating the sociopolitical climate of the ’70s, punctuating moments with anti-war protests and the ever-present struggle against societal norms. The film artfully juxtaposes the domestic turmoil of the Mooney family with the broader cultural unrest, as seen through the lens of contemporary media coverage, adding layers of significance to JB’s journey.
A Cautionary Tale
The Irony of Ordinary Life
As the film progresses, the tension shifts from the heist itself to the existential consequences of JB’s decisions. The irony culminates in a bittersweet moment—JB is robbed of even the minor triumph he sought. The Mastermind serves as a reflective meditation on entitlement, illustrating how sidestepping life’s ordinary blessings can lead to unforeseen calamity.
In conclusion, Kelly Reichardt’s The Mastermind masterfully intertwines humor and tragedy, offering an intriguing commentary on the human condition. It beckons viewers to ponder: does the world truly owe us anything? In her gently cautionary tale, Reichardt crafts a narrative that resonates with an unmistakable truth—life is far more complex than any heist gone wrong, ultimately reminding us that the pursuit of more often leads to less.
Explore more of Kelly Reichardt’s filmography through platforms like Variety for deeper insights into her unique storytelling approach.
