Thieves Like Us: Exploring the Enigmatic Journey of "The Mastermind" at Cannes
Kelly Reichardt’s The Mastermind, showcased at the 2025 Cannes Film Festival, takes its audience on a remarkable journey through the lens of despair, isolation, and misguided ambition. This film challenges conventional storytelling, weaving a narrative that is both intriguing and reflective, capturing the essence of its flawed characters set against a backdrop of societal unrest.
A Seething Underbelly of Despair
In a world where abstract art conveys undefined emotions, Reichardt does more than just focus on her characters; she creates an atmosphere thick with the tension of the late 1970s, rendered beautifully through her signature style. At the heart of this narrative is James Blaine Mooney, played with subtle intensity by Josh O’Connor. This art school dropout, married and drowning in debt, embarks on a heist that spirals into chaos—an audacious attempt to steal four paintings by Arthur Dove from a local museum.
A Toast to Absurdity
James’s character resonates with those who feel trapped in the mire of their own making, and his decision to embark on a criminal escapade symbolizes a desperate grasp at meaning. Married to Terri, portrayed by Alana Haim, James’s struggle to escape a monotonous existence leads him to assemble a misfit crew, each equipped not only with ski masks but also their own baggage.
A Heist Unraveled
In many ways, The Mastermind can be seen as a deconstructed heist film, expertly distancing itself from the clichés associated with the genre. Unlike Peter Yates’ 1972 classic The Hot Rock, where escapades ensue in a race against time, Reichardt submerges us into the deeper themes of suburban malaise and moral ambiguity.
A Glimpse into Inner Turmoil
As James navigates the complexities of theft, his emotions remain practically undisturbed—a reflection of the ennui gnawing at his soul. A poignant dialogue with Gaby Hoffman hints at James’s desire to reclaim a slice of joy from his past, tied indelibly to the paintings he covets.
A Mysterious Narrative Structure
Throughout the film, there’s a haunting stillness—a sense of absurdity lurking within mundane interactions, particularly between James and his family. This stark contrast amplifies the grave seriousness of his actions, as Terri, the backbone of their financial stability, grapples to hold the family unit together.
An Ironic Twist
The film culminates in a striking karmic moment that leaves viewers pondering the choices made throughout. Rather than offering resolutions, it maintains a steady pulse of tension, echoing the sentiments of The Twilight Zone with a finale that rests on irony.
Visuals and Cinematic Rhythm
With Christopher Blauvelt’s cinematography, Reichardt deftly crafts moments of inaction, where the camera lingers as James becomes increasingly absorbed in his chaotic thoughts. This visual strategy enhances the character’s introspective nature and emphasizes his mental distraction, shifting our focus from a heist to the unraveling of a man.
Conclusion: A Somber Reflection
Ultimately, The Mastermind may not resonate with everyone, especially when compared to Reichardt’s previous works celebrating solitude and melancholy. It offers a thought-provoking exploration of existential crisis, but its slow pacing and complex narrative might alienate some viewers.
Film Details
Reviewed on May 24th at the 2025 Cannes Film Festival (78th edition) – Competition. 110 mins.
Rating: ★★½/☆☆☆☆☆
For those intrigued by character studies woven deeply into society’s fabric, The Mastermind serves as a reflective piece—or, perhaps, more of a cautionary tale about the dangers of apathy. Will this film mark a departure for Reichardt or unveil new depths yet to be explored? Only time will tell.
