“The Ritual” aims to respectfully depict exorcism.

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The Ritual: A Respectful Exploration of Exorcism

In the world of horror films, exorcism stories often tread a fine line between the sacred and the sensational. However, "The Ritual," directed by David Midell and co-written with Enrico Natale, seeks to navigate this complex theme with grace and reverence, setting itself apart from the slew of exploitative entries in the genre.

A One-Time Story of Compassion

Midell emphasizes that "The Ritual" is intended as a standalone film, eschewing the need for sequels or franchises. As he states, it “really was a one-off,” allowing the film to focus on telling a powerful, grounded story rather than setting the stage for future narratives.

Based on a True Story

The film dramatizes one of the most notorious cases of alleged possession in U.S. history. In 1928, the long-suffering Emma Schmidt (known by the alias Anna Ecklund) became a symbol of desperation for a community in crisis when psychiatric treatments had failed her. The Church ultimately intervened, resulting in a dramatic exorcism at St. Joseph’s parish in Earling, Iowa, which captivated the nation and even landed Father Theophilus Riesinger, the cleric overseeing the rite, on the cover of Time magazine.

Notably, this pivotal role is portrayed by none other than the legendary Al Pacino, adding gravitas to the narrative.

Strong Performances

While the historical Schmidt was 46 at the time of her exorcism, actress Abigail Cowen, aged 27, takes on the role, captivating audiences with her emotionally nuanced performance. Midell notes that Cowen’s ability to embody vulnerability was crucial in her casting, making her portrayal of the tormented woman both heart-wrenching and authentic.

A Different Kind of Horror

Unlike many films of its kind, "The Ritual" consciously avoids over-the-top special effects, opting instead for a more reverent, low-key approach. Midell asserts that this choice was intentional, aimed at ensuring the film does not exploit faith or hypersexualize its subjects, stating, “We feel a responsibility to do justice to their story.”

In his view, this is fundamentally a story about vulnerability and community, where a Catholic group rallies together to support one of their own.

A Historical Context

The actual exorcism lasted an astounding 23 days, culminating in a marathon 72-hour rite. This arduous process is chronicled in accounts like Father Carl Vogl’s Begone Satan!, a title that encapsulates the dramatic stakes at play. Father Riesinger, who conducted the exorcism, had been a part of the Wisconsin community since 1912, where he lived until his passing in 1941.

Filming on Location

Shot in Natchez, Mississippi, with support from the Mississippi Film Office, "The Ritual" benefits from the authenticity of its setting. Filmmakers were granted permission to film at the Basilica of St. Mary, a historic site from 1843, enriching the film’s visual narrative. Father Aaron M. Williams, the basilica’s rector, served as an advisor, ensuring accurate representations of Catholic rituals and customs.

Costume Considerations

Attention to detail is further exemplified in the film’s costumes. Initially, the Franciscan nuns assisting Father Riesinger wore black habits; however, these were changed to gray for cinematic appeal. Even Pacino’s cassock underwent adjustments, as Dan Stevens, who plays Father Joseph Steiger, found his character’s attire not befitting and opted to wear the real cassock worn by Father Williams.

Pacino’s Authenticity

This film marks the first time Al Pacino has depicted a Catholic cleric. Always committed to authenticity, Pacino arrived on set with handwritten notes and constantly engaged Father Williams to grasp the mindset of a priest. “We have to remember that Christ is already victorious. We are just waiting for Him to manifest Himself,” Father Williams advised, a concept Pacino resonated with, even attempting to incorporate it into his performance.

A Genuine Representation

Patricia Heaton, known for her previous television roles, plays the mother superior of the nuns and impresses those involved with her genuine understanding of the character, thanks to her family ties with the Dominican order. Father Williams noted her ease and authority, likening her presence to a respected educator from his past.

A Reverent Approach

Overall, Midell and his team approached "The Ritual" with utmost respect, striving to accurately portray an event steeped in faith and community. As Father Williams expressed, they never treated the subject as mere fantasy but approached it with serious reverence, aiming to make Catholics feel represented and respected.

Release Date

"The Ritual" is set to release in the United States on June 6, promising an engaging and respectful cinematic journey into a moment where faith meets the unknown.

For more insights into films that explore complex themes, check out our Movie & TV Reviews.

Now, are you ready to witness a story that honors both the darkness and light within the realms of faith and humanity? Mark your calendars!

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